#HDKfromHome - Audiotour auf Englisch durch die Ausstellung "Innenleben"
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Based on the art historical genre of interior painting, “Interiorities” unites four artists – Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann and Adriana Varejão – who explore the relationship between interior and exterior space. Whether as an imaginary or real setting, as metaphor or a concrete site for intimate social actions, these artists’ works reveal the potential of the interior to reflect and alter the social and political zeitgeist.
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Extended info to the introduction: Kwame Anthony Appiah, Cosmopolitanism
Leonor Antunes: discrepancies with A.A., 2017
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Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Carlo Scarpa, The Brion Cementary in San Vito d'Altivole
Leonor Antunes: discrepancies with A.A., 2019
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Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Anni Albers, Double Impression I, 1978
Leonor Antunes: Alterated Climbing Forms (I-III), 2017
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Innenleben / Interiorities Installationsansicht mit Werken von Leonor Antunes und Njideka Akunyili Crosby / Installation view with works by Leonor Antunes and Njideka Akunyili Crosby Haus der Kunst, 2019 Photo: Connolly Weber Photography -
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Mary Martin, Climbing Form, 1954
Njideka Akunyili Crosby: Garden Thriving, 2016
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Njideka Akunyili Crosby, Garden, Thriving, 2016 © Njideka Akunyili Crosby, Courtesy the artist, Victoria Miro, and David Zwirner, Photo: Robert Glowacki
Njideka Akunyili Crosby: Bush Girl, I see you in my eyes, I still face you, 2015
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Njideka Akunyili Crosby, Bush Girl, I see you in my eyes, I still face you, 2015, Photo: Connolly Weber Photography
Njideka Akunyili Crosby, Grandmother’s Parlour + Teatime In New Haven, 2016
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Njideka Akunyili Crosby, Teatime In New Haven, 2016, Photo: Connolly Weber Photography
Extended info: Chimamanda Ngozi Adichie, Americanah
Njideka Akunyili Crosby, Home- As You See Me, 2017
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Njideka Akunyili Crosby, Home: As You See Me, 2017 © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice -
Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice -
Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
Adriana Varejão, Green Sauna, 2016
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Adriana Varejão, Green Sauna, 2016, Photo: Connolly Weber Photography -
Adriana Varejão, Ausstellungsansicht "Innenleben", Haus der Kunst 2019, Photo: Connolly Weber Photography
Adriana Varejão, Linda Da Lapa, 2005
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Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography -
Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography -
Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
Adriana Varejão, Proposta Para Uma Catequese I, 1993
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Adriana Varejão, Proposta Para Uma Catequese I, 1993, Photo: Connolly Weber Photography -
Adriana Varejão, Ausstellungsansicht "Innenleben", Haus der Kunst 2019, Photo: Connolly Weber Photography
Extended Info: Oswald De Andrade, Manifesto Antropófago
Henrike Naumann, Ruinenwert, 2019
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Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography -
Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
Henrike Naumann, Brecher, 2019
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Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography -
Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography
Extended info: Friedrich Rückert, Barbarossa
