Programme Autumn & Winter 2024/25

THE INTERCONNECTING AT Haus der Kunst CONTINUES!

Pussy Riot: Largest presentation of the artistic collective to date just opened.

Philippe Parreno transforms entire galleries of Haus der Kunst with fully AI driven exhibition.

The daring science fiction narratives of net artist Shu Lea Cheang invite audiences to explore and to play.

The third edition of the live exhibition ECHOES explores the digital through the body and is dedicated to language and communication.

TUNE welcomes the artists FUJI||||||||||TA, Jana Winderen and Tomoko Sauvage to Residencies in which they invite us to hear the inaudible.

With the Autumn Programme 2024/25, Haus der Kunst continues its process of interconnecting and bridging trans­disciplinary approaches, transnational outlooks, canon re-evaluations, and inter­genera­tional innovators. The voice as a topic, a central theme for us, continues and expands. From there, language evolves, with new languages representing the next stage.

Velvet Terrorism: Pussy Riot’s Russia just opened at Haus der Kunst as the largest presentation of the artistic collective’s work to date, and the first museum exhibition in Germany devoted to Pussy Riot. It poses the urgent question of what resistance is in art, and which stories need to become a fundamental part of exhibition making nowadays. Philippe Parreno’s exhibition “Voices” takes over from Liliane Lijn and Rebecca Horn, two visionary female artists whose solo exhibitions orchestrated the interplay of bodies, machines, moving images, sound, and light in new and diverse languages. “Voices” amplifies all of this, pushing the forms into our increasingly digitised world by means of a site-specific intervention centred on the idea of a new yet familiar language taking shape. Entering into a dialogue with this is Shu Lea Cheang’s survey exhibition “KI$$ KI$$”, which takes us into the transformative journey of digital compost and networks, a “machine of experience,” as the artist puts it. “KI$$ KI$$” explores non-human intelligence, both natural and artificial, through daring science fiction narratives.

Our TUNE series of monthly sound and music resi­den­cies also proceeds, as does our commitment to “live” and “liveness”, evidenced by the annual live exhibition ECHOES, aimed at presenting mostly emergent, groundbreaking practices in performance. Learning and engagement further develops as fundamental instrument of the entire programme at Haus der Kunst.

“We are continuing the transformation of Haus der Kunst. In this coming season, the major step is towards digital culture, that we tackle through the groundbreaking experience of Su Lea Chang, the visionary exhibition of Philippe Parreno, and the glimpses of future anticipated by the young artists of the live exhibition ECHOES. Every part of the building is coming alive, as the museum becomes a living organism where everyone can understand themselves as part of a community.” – Andrea Lissoni und Xue Tan

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