Haegue Yang: Accommodating the Epic Disperson, Catalogue
Summary of Haegue Yang: Accommodating the Epic Disperson, Catalogue%
About this exhibition catalogue
Edited by Julienne Lorz
With a foreword by Okwui Enwezor and an interview by T. J. Demos.
Under the auspices of the exhibition series "Der Öffentlichkeit – Von den Freunden Haus der Kunst", South Korean artist Haegue Yang created an expansive installation of three independent yet simultaneously connected parts: A complex scenery of hanging blinds that blurs the boundaries between inside and outside and no longer allows a differentiation between open and closed. The installation was especially conceived for the Haus der Kunst's Middle Hall.
Published by Verlag der Buchhandlung Walther König
Exhibition catalogue to:
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Histories in Conflict: I. "Haus der Deutschen Kunst" as an instrument of National Socialist propaganda (in german)
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Worksheets on "Georg Baselitz — Back then, in between, and today" for school classes 1 to 4
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Postwar: Art Between the Pacific and the Atlantic, 1945–1965 / Trailer
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Histories in Conflict. Haus der Kunst and the ideological Uses of Art, 1937 – 1955
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ECM — A Cultural Archaeology, Catalogue
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A History. Contemporary Art from the Centre Pompidou
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![Polina Kanis, Celebration, 2014, HD Video Loop 13:27 Min, Courtesy of the artist.]()
![Polina Kanis, Celebration, 2014, HD Video, Loop 13:27 Min, Courtesy of the artist.]()
![Polina Kanis, The Procedure. Haus der Kunst 2017. Installation view. Photo: Maximilian Geuter.]()
Picture gallery "Polina Kanis"
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Ellen Gallagher: AxME
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![Oscar Murillo, Catalyst #16, 2016 Courtesy of the artist and David Zwirner, New York/London]()
![Oscar Murillo, Going Forth: The Institute of Reconciliation Haus der Kunst 2017 Installation view]()
![Oscar Murillo, Land with lost olive trees, 2017 Courtesy of the artist; David Zwirner, New York/London]()
Picture gallery "Oscar Murillo"
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Booklet for the exhibition "Frank Bowling: Mappa Mundi"
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