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Stretch your view - The blog of Haus der Kunst!
There are many more stories to tell than are initially obvious in our exhibition rooms. The blog now offers insights behind the scenes more diverse infos on the exhibitions, artists and the work at Haus der Kunst.
Articles matching Context
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Obituary for Herman DaledOur former director Chris Dercon wrote a very personal and warm-hearted obituary for the collector Herman Daled.
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Mwili, Akili na Roho – East African Figurative Painting of the 1970s — 90sOne room in the exhibition "Michael Armitage. Paradise Edict" presents East African painters that are thus key acteurs within the articulation of East African Modernism, and as such have significantly shaped Michael Armitage as an artist. We introduce those artists and their works on the Blog.
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‘and my hearth for whose fire you envy me’This blog series is an homage by four former students of the artist and teacher Franz Erhard Walther.
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‘A handful of plaster, which I throw into the space – this is a sculpture’This blog series is an homage by four former students of the artist and teacher Franz Erhard Walther.
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You can live as an artist, and this is kind of what it looks likeThis blog series is an homage by four former students of the artist and teacher Franz Erhard Walther.
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Space for Franz for SpaceThis blog series is an homage by four former students of the artist and teacher Franz Erhard Walther.
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Counter Images to the Image – Franz Erhard Walther’s Transformative Artistic PracticeIn her essay Jana Baumann describes Walther‘s early urge to overcome the passive role traditionally assigned to the viewer and to explore a new presence of the body and physical sensation in the visual arts.
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Fauna and Flora at Haus der KunstTo her own surprise the nocturnal walks during the weeks of the pandemic lockdown led the author Christine Wunnicke to Haus der Kunst. She wrote down her experiences from those walks in a short story for our blog.
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Paradise Edict – Michael Armitage at Haus der KunstThe large-format artworks of the British-Kenyan painter Michael Armitage expose the exotic and erotic view of Africa, as a projection surface for both the feral and a supposed originality. At the same time they refer to European and East African motifs and painting traditions.